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A vegetable emergency
Meat watch
White screen: poetry & graphics
Industry and me
Mary Beth Edelson, May 5 - May 30
Excursions into phenomenological ontology: phenomenological artworks
Time's dipstick
Oh
Souvenirs de jeunesse interpretes
The woman from Malibu
Niotou's remakes
[Glimpsing the fragile]
Light = Licht
Myself: timed exposures
These are suicide notes: I don't know what my mind wears
Cinematic moments
"For breakfast I'll have, oh, two slices of dry toast and a cup of hot water."
Ace is black of course: poems
Greatest hits
Edlin Nora
No progress in pleasure
TÓTalJOYS, 1971-75
My adolescent loves
Five, six, pick up sticks: seven, eight, lay them straight
The process of aging: fragment of an on-going thorough self-analysis and description to be...
More bulk than fill
Bad boy comix
Big trees: poems
Deus ex machina
May I have a glass of water with no ice, please?
The spider's web and the butterfly
Exact change: short fiction
Slippery trails
Broken dishes
Chops
Notes on escape
Imitation
Performance notes: L.A.I.C.A., May 25, 1975
Transmission
Unato? ?injenici = Despite the fact
India
Bada Shanren and me
No seats on the party car
Market research
Palimpsest
A winding path: stories of creation and other mysteries
Perpetual motion
From farmboy to financier: the story of my life
Asian American ? project
James Lee Byars: ARC, musée d'art moderne de la ville de Paris, Juin-Septembre, 1983
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