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Macy Chadwick
Topography of Home, 2009
In Cahoots Press; Oakland, CA
Printed with pressure prints and polymer plates on Mohawk Superfine and
French's Extra Blue Butcher paper with hand-stenciling on Silk Tissue; pages
attached to accordion folded strip at spine edge.
10-5/8 x 7-1/8 x 13/16 inches
Rebecca Chamlee with Paul Vangelisti (poet)
Azusa: A Sequel, 2009
Pie In The Sky Press; Simi Valley, CA
Letterpress printed using wood type and photopolymer plates on Rives Heavy-weight
paper; sewn on tapes in cloth Bradel case binding.
9-7/8 x 6-1/2 x 1/2 inches
Rebecca Chamlee with Martha Ronk (poet)
My Partial Tongue, 2011
Pie In The Sky Press; Simi Valley, CA
Text letterpress printed on Rives BFK paper; images printed from multiple
photopolymer plates; bound in separate board style with the text block sewn
on ramie tapes, goat leather spine and paste paper covered boards.
13-5/8 x 9-3/16 x 5/8 inches
Rebecca Chamlee with Barbara Maloutas (poet)
A Reason of Water, 2011
Pie In The Sky Press; Simi Valley, CA
Wood type and linoleum cuts letterpress printed on Rives Heavyweight paper;
drum leaf binding, paste paper covered boards.
9-3/4 x 6-5/16 x 7/16 inches
Rebecca Chamlee with Dennis Phillips (poet)
Study for the Possibility of Hope, 2010
Pie In The Sky Press; Simi Valley, CA
Letterpress printed using Goudy Old Style, Futura wood type and photopoly-mer
plates on Somerset Book Wove paper; text block sewn on ramie tapes into
a Bugra concertina; case binding with cloth covered boards.
6-5/8 x 6-1/2 x 1/2 inches
Julie Chen
Life Time, 1996
Flying Fish Press; Berkeley, CA
Letterpress printed tunnel book; paper covered box with hinged lid.
3-1/8 x 3-1/8 x 15/16 inches
Julie Chen
Radio Silence, 1995
Flying Fish Press; Berkeley, CA
Letterpress printed using a variety of techniques on Wyndstone Mica and Tux-edo
bronze, found aeronautical charts, and embossed paper designed by Marga-ret
Ahrens Sahlstrand at Icosa Studio; layered accordion folded pages of vary-ing
heights sewn together at the fore edge; cloth covered box with hinged lid.
box 10-3/4 x 3-5/8 x 2-3/8; book 5 x 3-1/8 x 1-5/8 inches
Julie Chen and Clifton Meador
How Books Work, 2010
Flying Fish Press and Center for Book and Paper; Berkeley, CA and Chicago,
IL
Pages with mounted color illustration folded in an interleave structure; paper
portfolio.
6-1/8 x 4 x 1/8 inches
Laurie Whitehill Chong
Snowbound in September, 2012
L. Whitehill Chong; Pawtucket, RI
Linoleum-block printed images and text printed letterpress from photopoly-mer
plates on Rives Lightweight white paper; case binding covered in linen
book cloth; map in pocket at back.
6-1/8 x 3-5/8 x 11/16 inches
C&C Press: Matt Cohen and Sher Zabaszkiewicz , with Gary Young (poet
In the Face of It, 2008
C&C Press; Pajaro, CA
Letterpress printed in Dante on Rives Heavyweight; woodcut images; exposed
spine binding, handmade paper; clamshell box.
9-1/4 x 6-3/8 x 1-1/2 inches
94
Object Description
Description
| Title | Page 95 |
| Full Text of PDF | Macy Chadwick Topography of Home, 2009 In Cahoots Press; Oakland, CA Printed with pressure prints and polymer plates on Mohawk Superfine and French's Extra Blue Butcher paper with hand-stenciling on Silk Tissue; pages attached to accordion folded strip at spine edge. 10-5/8 x 7-1/8 x 13/16 inches Rebecca Chamlee with Paul Vangelisti (poet) Azusa: A Sequel, 2009 Pie In The Sky Press; Simi Valley, CA Letterpress printed using wood type and photopolymer plates on Rives Heavy-weight paper; sewn on tapes in cloth Bradel case binding. 9-7/8 x 6-1/2 x 1/2 inches Rebecca Chamlee with Martha Ronk (poet) My Partial Tongue, 2011 Pie In The Sky Press; Simi Valley, CA Text letterpress printed on Rives BFK paper; images printed from multiple photopolymer plates; bound in separate board style with the text block sewn on ramie tapes, goat leather spine and paste paper covered boards. 13-5/8 x 9-3/16 x 5/8 inches Rebecca Chamlee with Barbara Maloutas (poet) A Reason of Water, 2011 Pie In The Sky Press; Simi Valley, CA Wood type and linoleum cuts letterpress printed on Rives Heavyweight paper; drum leaf binding, paste paper covered boards. 9-3/4 x 6-5/16 x 7/16 inches Rebecca Chamlee with Dennis Phillips (poet) Study for the Possibility of Hope, 2010 Pie In The Sky Press; Simi Valley, CA Letterpress printed using Goudy Old Style, Futura wood type and photopoly-mer plates on Somerset Book Wove paper; text block sewn on ramie tapes into a Bugra concertina; case binding with cloth covered boards. 6-5/8 x 6-1/2 x 1/2 inches Julie Chen Life Time, 1996 Flying Fish Press; Berkeley, CA Letterpress printed tunnel book; paper covered box with hinged lid. 3-1/8 x 3-1/8 x 15/16 inches Julie Chen Radio Silence, 1995 Flying Fish Press; Berkeley, CA Letterpress printed using a variety of techniques on Wyndstone Mica and Tux-edo bronze, found aeronautical charts, and embossed paper designed by Marga-ret Ahrens Sahlstrand at Icosa Studio; layered accordion folded pages of vary-ing heights sewn together at the fore edge; cloth covered box with hinged lid. box 10-3/4 x 3-5/8 x 2-3/8; book 5 x 3-1/8 x 1-5/8 inches Julie Chen and Clifton Meador How Books Work, 2010 Flying Fish Press and Center for Book and Paper; Berkeley, CA and Chicago, IL Pages with mounted color illustration folded in an interleave structure; paper portfolio. 6-1/8 x 4 x 1/8 inches Laurie Whitehill Chong Snowbound in September, 2012 L. Whitehill Chong; Pawtucket, RI Linoleum-block printed images and text printed letterpress from photopoly-mer plates on Rives Lightweight white paper; case binding covered in linen book cloth; map in pocket at back. 6-1/8 x 3-5/8 x 11/16 inches C&C Press: Matt Cohen and Sher Zabaszkiewicz , with Gary Young (poet In the Face of It, 2008 C&C Press; Pajaro, CA Letterpress printed in Dante on Rives Heavyweight; woodcut images; exposed spine binding, handmade paper; clamshell box. 9-1/4 x 6-3/8 x 1-1/2 inches 94 |
