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41 Friedman, Ken, “Introduction,” in Hoffberg, Umbrella: The Anthol-ogy,
p. 13. Clive Phillpot provided an additional note to the anthol-ogy.
“Umbrella at Twenty” is a rather tepid endorsement of the
magazine, focusing on its longevity and the “gusto” with which
Hoffberg collected her material.
42 The Woman’s Building video archive is located at the Getty Cen-ter;
the bulk of the archive is housed in The Archives of American
Art, part of the Smithsonian Institution.
43 Email notes from various sources via Jeseca Dawson, September
18, 2013.
Ben Maltz Gallery is grateful to all those who gave their generous
permission to reproduce the publications’ images. Every effort has
been made to contact the owners and photographers of objects re-produced
and to secure all permissions and we apologize for any
inadvertent errors or omissions. Anyone having further informa-tion
concerning copyright holders is asked to contact Otis College
of Art and Design so this information can be included in future
printings.
_______________________
Ed Ruscha, Twentysix Gasoline Stations, 1963. Artist's book. Alham-bra,
CA: Cunningham Press. © Ed Ruscha. Photograph courtesy
Millard Sheets Library, Otis College of Art and Design.
Otis College of Art and Design, Possibilities, 1972. Exhibition poster.
© Otis College of Art and Design. Photograph courtesy Millard
Sheets Library, Otis College of Art and Design.
James R. Hugunin, The Dumb Ox #4, 1977. Offset press. Self-published
and designed by James R. Hugunin. © James R. Hugu-nin.
Photograph courtesy Kathleen Walkup.
The Los Angeles Institute of Contemporary Art, Artwords & Book-works,
1978. Exhibition catalog. Photograph courtesy Millard
Sheets Library, Otis College of Art and Design.
Allan Kaprow, Echo-logy, 1975. Artist’s book. © Allan Kaprow Es-tate.
Photograph courtesy Millard Sheets Library, Otis College of
Art and Design.
28
Object Description
Description
| Title | Page 29 |
| Full Text of PDF | 41 Friedman, Ken, “Introduction,” in Hoffberg, Umbrella: The Anthol-ogy, p. 13. Clive Phillpot provided an additional note to the anthol-ogy. “Umbrella at Twenty” is a rather tepid endorsement of the magazine, focusing on its longevity and the “gusto” with which Hoffberg collected her material. 42 The Woman’s Building video archive is located at the Getty Cen-ter; the bulk of the archive is housed in The Archives of American Art, part of the Smithsonian Institution. 43 Email notes from various sources via Jeseca Dawson, September 18, 2013. Ben Maltz Gallery is grateful to all those who gave their generous permission to reproduce the publications’ images. Every effort has been made to contact the owners and photographers of objects re-produced and to secure all permissions and we apologize for any inadvertent errors or omissions. Anyone having further informa-tion concerning copyright holders is asked to contact Otis College of Art and Design so this information can be included in future printings. _______________________ Ed Ruscha, Twentysix Gasoline Stations, 1963. Artist's book. Alham-bra, CA: Cunningham Press. © Ed Ruscha. Photograph courtesy Millard Sheets Library, Otis College of Art and Design. Otis College of Art and Design, Possibilities, 1972. Exhibition poster. © Otis College of Art and Design. Photograph courtesy Millard Sheets Library, Otis College of Art and Design. James R. Hugunin, The Dumb Ox #4, 1977. Offset press. Self-published and designed by James R. Hugunin. © James R. Hugu-nin. Photograph courtesy Kathleen Walkup. The Los Angeles Institute of Contemporary Art, Artwords & Book-works, 1978. Exhibition catalog. Photograph courtesy Millard Sheets Library, Otis College of Art and Design. Allan Kaprow, Echo-logy, 1975. Artist’s book. © Allan Kaprow Es-tate. Photograph courtesy Millard Sheets Library, Otis College of Art and Design. 28 |
