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Media Release: Doinʼ It in Public Extended through February/ Ben Maltz Gallery / Pg 2 of 3 historian Arlene Raven founded the WB, and for over two decades it helped shape the regional and international cultural landscapes. Through extensive public performances, site-specific work, networking with political activists, and collaborations, the feminist art movement at the WB raised consciousness, invited dialogue, and transformed culture. The WB handed women their rightful claim to the role of “artist.” It inspired and allowed members to create a community of women who saw art as a powerful tool for social change, and shared this vision with the public. A listing of the artists featured in Doinʼ It in Public, including Miriam Schapiro, Faith Wilding, Betye Saar, and Suzanne Lacy, can be found at www.otis.edu/benmaltzgallery. Exhibitions such as WACK! Art and the Feminist Revolution, 1965-1980, (MOCA, Los Angeles, 2007); Catalog L.A.: Birth of Art Capital: 1955-1985 (Centre Pompidou, Paris, 2006); and Sexual Politics: Judy Chicago's Dinner Party in Feminist Art (Hammer Museum, 1996) positioned the WB within the West Coast feminist art movement. This exhibition is the first to fully explore the contributions of the Womanʼs Building in its widest ramifications. The major focus of Doinʼ It in Public is revealing the WBʼs emphasis on developing, teaching, and executing collaboration. The work of collaborative groups such as Ariadne: A Social Art Network, Chrysalis Magazine, Feminist Art Workers, Feminist Studio Workshop, The L.A. Womenʼs Video Center, Madre Tierra Press, Mother Art, Sisters Of Survival, The Waitresses, and the Womenʼs Graphic Center is presented and contextualized through the exhibition, programs, and publications. Otis has released a two-volume publication in conjunction with the exhibition. Volume I: From Site to Vision: the Womanʼs Building in Contemporary Culture, is a collection of 14 essays originally published online in 2007, edited by Sondra Hale and Terry Wolverton. Essayists include Sheila Levrant de Bretteville and Lucy R. Lippard, activist and writer on contemporary art and culture. Volume II: Doinʼ It in Public: Feminism and Art and the Womanʼs Building includes research and writing by a prestigious team of scholars who assembled in 2008-09 to shape the curatorial focus of this project. The limited edition two-volume book set is available at http://www.amazon.com or through the galleryʼs website www.otis.edu/benmaltzgallery Doinʼ It in Public project directors at Otis are Meg Linton, Director of Galleries and Exhibitions, Ben Maltz Gallery and Sue Maberry, Director of Library and Information Technology and former Project Director at the Womanʼs Building. Former Womanʼs Building artists as well as Otis faculty members advising on the project include Suzanne Lacy, Director of Otisʼ Graduate Public Practice program, as well as Cheri Gaulke, Jerri Allyn, Terry Wolverton, Nancy Angelo and Sondra Hale. Curatorial and research interns assisting on the project are Jenay Meraz, Joanne Mitchell, Julia Paoli, Kayleigh Perkov, and Paige Tighe (MFA Public Practice ʼ10). BEN MALTZ GALLERY: Location, Hours, Admission, Parking Location: Otis College of Art and Design, 9045 Lincoln Blvd, Los Angeles, CA 90045 Parking & Admission: Free. Visitor parking in structure off La Tijera Blvd. Hours: Tue-Sat 10am-5pm / Thu 10am-7pm. Closed Sunday, Monday. Gallery Tours: 310.665.6909 to schedule tours for school, museum or other groups Gallery Info: 310.665.6905, galleryinfo@otis.edu, www.otis.edu/benmaltzgallery
Object Description
Exhibition | Doin' It in Public: Feminism and Art at the Woman's Building |
Artist(s) |
Ariadne: A Social Art Network Chrysalis Magazine Feminist Art Workers Feminist Studio Workshop L.A. Women's Video Center Madre Tierra Press Mother Art Sisters Of Survival Waitresses Women's Graphic Center |
Title | Press release for extended dates for "Doin' It in Public: Feminism and Art at the Woman's Building" |
Year | 2011 |
Decade(s) | 2010s |
Curator(s) |
Linton, Meg Maberry, Sue |
Description | For immediate release: January 3, 2012. |
Gallery | Ben Maltz Gallery |
ImageID | WBShowExtendedPRFIN |
Collection |
Ben Maltz Gallery Exhibition Archive Woman's Building Collection |
Description
Title | Page 2 |
Full Text of PDF | Media Release: Doinʼ It in Public Extended through February/ Ben Maltz Gallery / Pg 2 of 3 historian Arlene Raven founded the WB, and for over two decades it helped shape the regional and international cultural landscapes. Through extensive public performances, site-specific work, networking with political activists, and collaborations, the feminist art movement at the WB raised consciousness, invited dialogue, and transformed culture. The WB handed women their rightful claim to the role of “artist.” It inspired and allowed members to create a community of women who saw art as a powerful tool for social change, and shared this vision with the public. A listing of the artists featured in Doinʼ It in Public, including Miriam Schapiro, Faith Wilding, Betye Saar, and Suzanne Lacy, can be found at www.otis.edu/benmaltzgallery. Exhibitions such as WACK! Art and the Feminist Revolution, 1965-1980, (MOCA, Los Angeles, 2007); Catalog L.A.: Birth of Art Capital: 1955-1985 (Centre Pompidou, Paris, 2006); and Sexual Politics: Judy Chicago's Dinner Party in Feminist Art (Hammer Museum, 1996) positioned the WB within the West Coast feminist art movement. This exhibition is the first to fully explore the contributions of the Womanʼs Building in its widest ramifications. The major focus of Doinʼ It in Public is revealing the WBʼs emphasis on developing, teaching, and executing collaboration. The work of collaborative groups such as Ariadne: A Social Art Network, Chrysalis Magazine, Feminist Art Workers, Feminist Studio Workshop, The L.A. Womenʼs Video Center, Madre Tierra Press, Mother Art, Sisters Of Survival, The Waitresses, and the Womenʼs Graphic Center is presented and contextualized through the exhibition, programs, and publications. Otis has released a two-volume publication in conjunction with the exhibition. Volume I: From Site to Vision: the Womanʼs Building in Contemporary Culture, is a collection of 14 essays originally published online in 2007, edited by Sondra Hale and Terry Wolverton. Essayists include Sheila Levrant de Bretteville and Lucy R. Lippard, activist and writer on contemporary art and culture. Volume II: Doinʼ It in Public: Feminism and Art and the Womanʼs Building includes research and writing by a prestigious team of scholars who assembled in 2008-09 to shape the curatorial focus of this project. The limited edition two-volume book set is available at http://www.amazon.com or through the galleryʼs website www.otis.edu/benmaltzgallery Doinʼ It in Public project directors at Otis are Meg Linton, Director of Galleries and Exhibitions, Ben Maltz Gallery and Sue Maberry, Director of Library and Information Technology and former Project Director at the Womanʼs Building. Former Womanʼs Building artists as well as Otis faculty members advising on the project include Suzanne Lacy, Director of Otisʼ Graduate Public Practice program, as well as Cheri Gaulke, Jerri Allyn, Terry Wolverton, Nancy Angelo and Sondra Hale. Curatorial and research interns assisting on the project are Jenay Meraz, Joanne Mitchell, Julia Paoli, Kayleigh Perkov, and Paige Tighe (MFA Public Practice ʼ10). BEN MALTZ GALLERY: Location, Hours, Admission, Parking Location: Otis College of Art and Design, 9045 Lincoln Blvd, Los Angeles, CA 90045 Parking & Admission: Free. Visitor parking in structure off La Tijera Blvd. Hours: Tue-Sat 10am-5pm / Thu 10am-7pm. Closed Sunday, Monday. Gallery Tours: 310.665.6909 to schedule tours for school, museum or other groups Gallery Info: 310.665.6905, galleryinfo@otis.edu, www.otis.edu/benmaltzgallery |