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I. The Edward M. Daniels Collection of Indian blan-kets shown through the courtesy of Mr. and Mrs. John Payne of San Dimas, California. This large group of superb textile material, of great variety both in design and color, includes such cultures as Navaho, Pueblo, Hopi, Acoma and Zuiii. Gathered by Mr. Daniels over a period of many years, it represents the finest of collections purchased with a view to excellence of condition and to rarity. II. Prehistoric Anasazi Ceramics. Two thousand years ago, two main, basically different cultures existed in the Southwestern United States, that of the Hohokam of Southern Arizona and Southern New Mexico and that of the Anasazi, the forerunners of those indians who live today in the farming village communities of the Hopi Pueblos of Arizona and the Zuiii, Acoma, Zia, Jemez, Santo Domingo, Cochiti, San Juan, Santa Clara, Picuris, Taos, San Ildefonso and other Pueblos of New Mexico. Anasazi pottery is shown in this exhibition. The date of these prehistoric examples ranges from the beginnings of Anasazi pottery making, about 5 00-600 A.D. to about 1700 A.D. Then Spain solidified her domination of the Southwest, a fact which terminated the prehistoric era. The techniques of pottery making and decorating underÂwent many changes during these centuries; different times and also different regions developed their own styles of pottery design. It is therefore possible to assign a date and place of origin to a given vessel. With certain exceptions, pottery designs have no sacred connotation. They are an expression of man's creativity which makes objects beautiful as well as functional.
Object Description
Exhibition | Southwest American Indian Art |
Artist(s) | Unknown/Unidentified |
Title | Southwest American Indian Art |
View | Catalog |
Year | 1957; 1958 |
Decade(s) | 1950s |
Exhibition Dates | 1957 December 12 - 1958 January 3 |
Description | Catalog accompanying the exhibition of the same name. |
Catalog Format |
book catalogue (exhibition) |
Catalog Information | 16 pages, black and white |
Published | 1957 |
Catalog Description | Produced by Otis Art Associates. Catalog designed by David Green. |
Catalog Contributor(s) | Green, David |
Gallery | Los Angeles County Art Institute Gallery |
Media |
Ceramics Painting Sculpture Textile |
ImageID | saia-1959-catalog |
Rights | Copyright Otis College of Art and Design |
Collection | Ben Maltz Gallery Exhibition Archive |
Description
Title | Page 5 |
Full Text of PDF | I. The Edward M. Daniels Collection of Indian blan-kets shown through the courtesy of Mr. and Mrs. John Payne of San Dimas, California. This large group of superb textile material, of great variety both in design and color, includes such cultures as Navaho, Pueblo, Hopi, Acoma and Zuiii. Gathered by Mr. Daniels over a period of many years, it represents the finest of collections purchased with a view to excellence of condition and to rarity. II. Prehistoric Anasazi Ceramics. Two thousand years ago, two main, basically different cultures existed in the Southwestern United States, that of the Hohokam of Southern Arizona and Southern New Mexico and that of the Anasazi, the forerunners of those indians who live today in the farming village communities of the Hopi Pueblos of Arizona and the Zuiii, Acoma, Zia, Jemez, Santo Domingo, Cochiti, San Juan, Santa Clara, Picuris, Taos, San Ildefonso and other Pueblos of New Mexico. Anasazi pottery is shown in this exhibition. The date of these prehistoric examples ranges from the beginnings of Anasazi pottery making, about 5 00-600 A.D. to about 1700 A.D. Then Spain solidified her domination of the Southwest, a fact which terminated the prehistoric era. The techniques of pottery making and decorating underÂwent many changes during these centuries; different times and also different regions developed their own styles of pottery design. It is therefore possible to assign a date and place of origin to a given vessel. With certain exceptions, pottery designs have no sacred connotation. They are an expression of man's creativity which makes objects beautiful as well as functional. |