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photo: yuju yeo
BROODWORK is the name of the ongoing collaboration founded by Iris Anna Regn
and Rebecca Niederlander that investigates the interweaving of creative practice and
family life. This cross-disciplinary art and design project names the previously unspoken
community of practitioners whose work realized an unexpected perspectival shift after
becoming parents.
All creative practitioners find themselves at crossroads throughout their life;
however, being affected by the specific juncture of practice and family is not generally
acknowledged for its true impact. Who would have thought that writing for his son about
a bear named Winnie-the-Pooh would catapult the political satirist A. A. Milne from Punch
magazine into the stratosphere of literary history. His era’s exception is our rule; more
and more, the convergence of family and practice is embraced by this community as an
indispensable influence to produce profound and unexpected work.
Exploring this work within the parameters of an exhibition is one of BROODWORK’S
prime expressions. For each curatorial installation, Regn and Niederlander work hand-in-hand
with creative practitioners—artists, architects, designers, writers, and filmmakers—
to facilitate an entirely new conception of specific works within their practice.
The installations also incorporate participatory works that are chosen to foreground the
intergenerational and community-building aspects of BROODWORK. Through its multi-faceted
approach of talking, blogging, designing, event-making, and curating, the project
exists not only to investigate and illuminate, but to foster an advantageous environment
that will in itself stimulate innovation.
Object Description
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| Title | Page 5 |
| Full Text of PDF | photo: yuju yeo BROODWORK is the name of the ongoing collaboration founded by Iris Anna Regn and Rebecca Niederlander that investigates the interweaving of creative practice and family life. This cross-disciplinary art and design project names the previously unspoken community of practitioners whose work realized an unexpected perspectival shift after becoming parents. All creative practitioners find themselves at crossroads throughout their life; however, being affected by the specific juncture of practice and family is not generally acknowledged for its true impact. Who would have thought that writing for his son about a bear named Winnie-the-Pooh would catapult the political satirist A. A. Milne from Punch magazine into the stratosphere of literary history. His era’s exception is our rule; more and more, the convergence of family and practice is embraced by this community as an indispensable influence to produce profound and unexpected work. Exploring this work within the parameters of an exhibition is one of BROODWORK’S prime expressions. For each curatorial installation, Regn and Niederlander work hand-in-hand with creative practitioners—artists, architects, designers, writers, and filmmakers— to facilitate an entirely new conception of specific works within their practice. The installations also incorporate participatory works that are chosen to foreground the intergenerational and community-building aspects of BROODWORK. Through its multi-faceted approach of talking, blogging, designing, event-making, and curating, the project exists not only to investigate and illuminate, but to foster an advantageous environment that will in itself stimulate innovation. |
